AJ Mitchell is primed for stardom with electric new single ‘Stop’

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Further building out an immersive sonic world, gold-certified pop phenom  AJ Mitchell  has officially released a new single entitled “ STOP .” The song is the next chapter to be unveiled from his anxiously awaited full-length debut album, Skyview , due out this year and executive produced by Mike Dean.  The track pairs a thumping bass line and flurry of funk guitar with a showstopping vocal performance. He delivers charismatic verses before igniting the instantly unshakable hook, “I don’t wanna stop, baby it’s our time . ” “STOP” continues the journey that was set in “ CAMERAS ON ,” released late last Month. The conceptual lyric video shared today picks up where “ CAMERAS ON ” left off. While “ CAMERAS ON ” depicts the story of AJ dealing with the darker sides of fame and his previous experiences with the content collective Team 10, the new lyric video finds him walking away from the cameras to the stage, depicting his passion and dedication to the music and what truly matters.  

What's inside the Dressing Room?

The 43rd Season of Dulaang UP definitely has a great line up of Plays. For their second offering , Dulaang UP chose to stage a play about the theater, a 1997 Japanese play called "The Dressing Room" by Shimizu Kunio.

As DUP usually does, they would be staging in parallel both an English and a Filipino version of this play. The English version was written by Chiori Miyagawa, as adapted from the original English translation by John Gillespie. The Filipino translation is by multiple Palanca award-winning playwright Nicolas Pichay.

Always making sure that they push limits, Dulaang UP also pushes the envelope further by innovating on the casting as well. The original play involved four actresses playing the four actress characters. The English version will stay faithful to this casting. To put a twist in Filipino version, however, the four actress characters will all be played by male actors. I believe this is a great way to kind of put things into perspective.


The dressing room is literally where the action of this play is set. Initially, we see Actress A and Actress B dressed in Japanese-style robes, sitting in the middle of the stage in front of their respective box tables, applying white makeup on their faces. Suddenly, Actress C will enter dressed in Victorian finery, rehearsing her lines. Much later, an Actress D will come into the room to tell Actress C that she wants her role back. The whole play will be about the actresses' musings about Shakespeare and especially Chekhov as they reflect on the passions and frustrations they have about their acting careers.
Theater actors and theater fans will definitely fall in love with the intense love for theater espoused by this play. When sentimental Actress A and acerbic Actress B have an acting showdown playing Lady Macbeth, the effect was electric. This was even though some essence had been lost with the translation as the difference between two Japanese adaptations should have been highlighted (but obviously could not be conveyed in Filipino). Familiarity with the history of Japanese theater will enhance appreciation since the original Japanese play assumed the Japanese audience it targeted already knew.

The Dressing Room will run at the Wilfrido Ma. Guerrero Theater until November 25, 2018.Make sure to catch it.

Text and Photos by Antz Cabrera. 

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