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Ballet Manila Dancers perform an excerpt from La Traviata (Photo by Erickson Dela Cruz)
Two Princess, one classic and two collaborative opera, are
the show offering of Ballet Manila on its 24th season with a theme “On
Pointe” that represent the shoes of all ballerina which make them stand and
dance daintily on her shoes.
Excerpt from Giselle by Ballet Manila (Erickson Dela Cruz)
The line-up of shows according to Ballet Manila CEO and
Artistic Director Lisa Macuja-Elizalde is related to the company’s Russian
Vaganova style of training and dancing, which is being able to dance on pointe.
This season will also mark the 24 years of Ballet Manila.
Excerpt from Carmina Burana (Erickson Dela Cruz)
“No we're not expecting anybody from abroad this season, we have 5 principles dancers in the company
and so many capable soloists to dance the classic Giselle, the sleeping beauty,
we are doing an original Filipino ballet on the 25th season,” Macuja
said during its media launch last July 15 at S Maison Hall of Conrad Hotel.
The season will start with Snow White on September 7 and 8,
followed by the romantic ballet Giselle on October 19 and 20, and the yearend
show Sleeping Beauty on December 7 and 8 all this 2019, and two opera ballet
Carmina Burana and La Traviata are set on Feb 29 and March 1, 2020.
Carmina Burana (Erickson Dela Cruz)
“The most challenging ballet in On Pointe for me as a choreographer is not sleeping beauty, but La Traviata because for the first time I’m tackling tragedy, gone are the times I want to be funny now it’s like
super serious, there she dies, there is betrayal, there is a passion, there’s
lust, greed all the different human emotions,” Macuja explains.
BM Dancers with Osias Barroso and Lisa Macuja-Elizalde
This is the first time that Ballet Manila is doing the full length
of Sleeping Beauty, the piece is a three hour and half-hour long, but Macuja
did some adjustments, cut and update it to cater for the millennial crowd, and
of course, she wants a Dragon on stage.
All of On Pointe performances are staged at the Aliw Theater,
to buy tickets visit Ticketworld outlet or call 891-9999 or go to the Ballet Manila site or at the BM Facebook page.
Spoliarium, an opera with libretto by Soprano Fides Cuyugan-Asensio and with music by Ryan Cayabyab was the first production I saw pertaining to the life of Juan Luna. Originally staged at the CCP in 2003 starring Robert Seña at the titular role, the opera was staged in Tribeca Performing Arts Center in New York thirteen years later. Philippine Stagers Foundation (PSF) current production of "Obra Ni Juan " was my follow-up. This original Filipino musical entertainment was written by Atty. Vince Tañada, PSF President and Artistic Director and with music by Peter Paul "Pipo" Cifra, president of UST Conservatory of Music Alumni Association Incorporated, marked as my first production I saw from PSF. Established in 2002, PSF is a professional theater company with an objective of helping the poor, elderly, sick and even the forgotten, has been consistently conducting free theater workshop in schools nationwide and continuously organizing outreach programs to va
Princess Laura, Prince Florante, Prince Aladin and Princess Flerida. Amidst innovations and new techniques in presenting play, the Gantimpala Theater Foundation, Inc stand in delivering the Filipino classic story “Florante At Laura” in a traditional way as they open 38 th Season. They use the Komedya complete with majestic marches and grand batalia for the entire run of Florante and Laura. Theater thespian Roeder Camanag told us that they have preliminary talks and briefing with schools on how the classic way of theater production on stage. Camanag direct this year’s Florante at Laura with Paul Jake Paule playing Florante and Ellrica Laguardia as Laura. Ace Urieta is Adolfo, Jeffrey Carpio is Aladin, and Sharlene Rivera and Ira Ruzz is alternating for Flerida. Florante At Laura as well know is written by Francisco Balagtas, it’s one of the most epic and enduring Filipino literary masterpieces. Boni Ilagan write the script for the staging that Camanag claim a very
JOIN the Pinoy Readers Toastmasters Club in the online book discussion of Ani 41: Lakbay on June 5, 3pm, via Zoom. A speech club and a book club in one, Pinoy Readers Toastmasters Club was chartered as a club by Toastmasters International on March 29, 2021. Aside from their desire to improve their communication and leadership skills, the 28 members of the club are all passionate lovers of literary works, especially those written by Filipino authors. The Ani 41 book discussion will be moderated by Beverly Siy, club treasurer and head of the CCP Intertextual Division. Edited by award-winning writer and editor Herminio S. Beltran, Jr., with Mia P. Tijam as the special section editor, the latest edition of Ani, the official literary journal of the Cultural Center of the Philippines (CCP), features multilingual Philippine literary works on travel. It contains 146 literary works in various literary genres, selected from over thousands of submissions from different parts of the coun
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