PPO stages virtual pocket performance on july 23

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THE Philippine Philharmonic Orchestra stages its next series of online concerts billed as The PPO Spotlight: Virtual Pocket Performances to be streamed on July 23, 2021 at 8pm, Friday through the Cultural Center of the Philippines’ Website. Program for the July 23 concert, which focuses on Indie and Alternative music, features the following pieces such as WITH A SMILE by ERASERHEADS to be played by Ayesa Cruz (Violin), Madeline Jane Banta (Harp); TADHANA by UP DHARMA DOWN (arr. Naldy Rodriguez) to be performed by Ma. Angelica Uson (Violin), Herrick Ortiz (Cello); HALIK NI HUDAS by WOLFGANG (arr. Glenn Aquias) to be interpreted by Giancarlo Gonzales (Cello); SALAMAT by THE DAWN (arr. Theodore Amper) to be rendered by Christian Tan (Violin), Jose Carlo Tuazon (Violin), Rey Casey Concepcion (Viola), Giuseppe Andre Diestro (Cello), Vincent Dela Cruz (Contrabass); and HARANA by ERIC YAPTANGCO to be played by Brass & Percussion section with Abner Cruz (E. Bass). The PPO Online Poc

SZA makes a splash on PH charts with hit single “Good Days”

The numbers are in: SZA’s “Good Days” is officially her biggest hit to date in the Philippines and elsewhere in the world. In the country alone, the soulful single remains unstoppable with its No. 2 peak at Spotify Philippines Viral 50 and a top 15 placement at Spotify Philippines Top 50.


Over at mainstream radio, the critically acclaimed R&B songstress is performing well on several top 40 stations. This week, “Good Days” ranks No. 5 on 99.5 Play FM, a major pop station; No. 7 on Wave 89.1 FM, a rhythmic and urban-leaning station; and has gained prominent spots on Magic 89.9 (No. 23), and more.

“Good Days,” the second track following 2020’s “Hit Different,” is one of her two new headline releases since 2017’s groundbreaking multi-platinum debut, CTRL—an album that garnered significant critical attention for “laying bare the kind of vulnerability most often whispered in private” and for its “believable insights into one woman's quest for erotic self-determination.”

Written and produced by SZA, Jacob Collier, Carlos Muñoz, Carter Lang, and Christopher Ruelas and mixed by Shawn Everett, the laid-back tune was released as a surprise drop on Christmas eve last year. More than a week after its debut, the buzzy empowerment anthem skyrocketed at No. 1 on US Spotify Streaming Chart, and has since peaked within the top 10 of other major music markets including the US, UK, Australia, Ireland, Belgium, and New Zealand.

To date, the track has racked up more than 75 million streams on Spotify and more than 20 million cumulative hits on YouTube in just a month.

Aside from its commercial triumph, “Good Days” also made an indelible impression among music critics. Hip-hop magazine, The Source praised the new song for “mastering bliss and serenity all at once.” The publication adds, “In particular, the rawness of her vocals creates an ethereal energy that dives deeper into SZA`s unmatched creativity as a songwriter.” British music bible, NME called her comeback single “worth the wait,” citing how her voice has grown more sophisticated and carefree through the years.

SZA’s “Good Days” is now available on all streaming platforms worldwide via Top Dawg, RCA, and Sony Music. (PR)

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