Autotelic lets go of its painful past with hopeful new single ‘Iwan’

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When Filipino pop-rock bands in the early 2010s started to gain mainstream prominence, Autotelic emerged as one of the movement’s leading voices. From churning heartfelt anthems that reflect the sentiments and triumphs of the current generation to rocking the stage with unforgettable performances, the six-piece band sets the standards of what modern pop songcraft is all about: beautifully resonant at its most melancholic, and defenseless in its poignant honesty. Fast forward to 2021, Autotelic’s music still hits home. Their work has been consistent in eloquently expressing the woes and rewards of being young, in love and emotionally wrecked, and is informed not so much by its time, but by timelessness and enduring appeal. These qualities are inevitably present on “Iwan,” Autotelic’s new single released under MCA Music Inc. Teeming with earnestness and indelible pop sensibilities, Autotelic’s latest track sticks to the quivering fragility that often permeates their material. But this ti

SZA makes a splash on PH charts with hit single “Good Days”

The numbers are in: SZA’s “Good Days” is officially her biggest hit to date in the Philippines and elsewhere in the world. In the country alone, the soulful single remains unstoppable with its No. 2 peak at Spotify Philippines Viral 50 and a top 15 placement at Spotify Philippines Top 50.


Over at mainstream radio, the critically acclaimed R&B songstress is performing well on several top 40 stations. This week, “Good Days” ranks No. 5 on 99.5 Play FM, a major pop station; No. 7 on Wave 89.1 FM, a rhythmic and urban-leaning station; and has gained prominent spots on Magic 89.9 (No. 23), and more.

“Good Days,” the second track following 2020’s “Hit Different,” is one of her two new headline releases since 2017’s groundbreaking multi-platinum debut, CTRL—an album that garnered significant critical attention for “laying bare the kind of vulnerability most often whispered in private” and for its “believable insights into one woman's quest for erotic self-determination.”

Written and produced by SZA, Jacob Collier, Carlos Muñoz, Carter Lang, and Christopher Ruelas and mixed by Shawn Everett, the laid-back tune was released as a surprise drop on Christmas eve last year. More than a week after its debut, the buzzy empowerment anthem skyrocketed at No. 1 on US Spotify Streaming Chart, and has since peaked within the top 10 of other major music markets including the US, UK, Australia, Ireland, Belgium, and New Zealand.

To date, the track has racked up more than 75 million streams on Spotify and more than 20 million cumulative hits on YouTube in just a month.

Aside from its commercial triumph, “Good Days” also made an indelible impression among music critics. Hip-hop magazine, The Source praised the new song for “mastering bliss and serenity all at once.” The publication adds, “In particular, the rawness of her vocals creates an ethereal energy that dives deeper into SZA`s unmatched creativity as a songwriter.” British music bible, NME called her comeback single “worth the wait,” citing how her voice has grown more sophisticated and carefree through the years.

SZA’s “Good Days” is now available on all streaming platforms worldwide via Top Dawg, RCA, and Sony Music. (PR)

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